The Order of the Day - Eric Vuillard

 An odd little book, this.  It's a novella, only 128 pages in larger than usual typeface with blank pages between sections.  It certainly isn't non-fiction, yet there's no plot and barely any character development.  It has lofty literary aspirations - it won the 2017 Prix Goncourt - but for me at least the occasional literary flourishes were more off-putting than stimulating.

So what is The Order of the Day?  I suppose it's a pen-portrait of strategic moves made by various of the great powers in the build-up to World War II.  It is a collection of snapshots of those who one way or other appeased the clearly deranged Fuhrer of Germany.  The Munich appeasement by British PM Chamberlain is not one of those featured.  Instead we get a slightly earlier meeting with Lord Halifax, Chamberlain's Foreign Secretary.  Mainly it's about the Anschluss of Austria.  The sections dealing with this shameful episode are the best parts of the book, and I especially enjoyed the descriptions of the stage-managed 'welcome' - the Austrian girls all waiting expectantly while Hitler struggles to get past his own tanks, which have got stuck in mud.  There is a passage discussing how Joseph Goebbels altered the film record to make it look triumphant and how we have come to accept this version as truth even when the facts are readily available.  Framing this episode are before and after scenes showing how the great German industrialists agreed to bankroll Hitler, and how after the war they all got away with their use of slave labour.

What makes the book important is, firstly, the emotional impact Vuillard manages to get into passages like those dealing with the experience of slave labour - no more than a couple of paragraphs, yet they take your breath away.  Secondly, and I suspect this is what prompted Vuillard to write the book, the realisation that our world today is not very different.  Populist sociopaths in power around the world, tearing up consensus, human rights, human dignity, to enrich first themselves and then their capitalist backers, themselves too rich to ever be prosecuted.

In some senses The Order of the Day is an unsatisfactory read.  Overall, though, it's an essential one.

Munich - Robert Harris

The blurb on the back, from The Times, describes Harris as "Master of the intelligent thriller". You can't argue with that. In three successive standalone novels - An Officer and a Spy, Conclave and now Munich - he takes storylines you already know the end of (or don't care in the case of Conclave) - and somehow, inexplicably, makes them exciting. I say 'inexplicable' but it must be possible to work out how he does it. I must take the time, sometime.


Here, obviously, this is the Munich Crisis of 1938. We all know how that turned out. Chamberlain waving his bit of paper at Croydon airport; 'Peace in our time. Part of how Harris makes this work so well is his unexpected sympathy for Chamberlain, until David Cameron came along, surely the most despised British Prime Minister of the media age. Harris, we recall, did a variant of this in The Ghost, wherein his unforeseen contempt for the clone of his old friend Tony Blair was the only saving grace of (for me) an execrable book. The other device that works very well in Munich is the use of two protagonists, Hugh Legat and Paul Hartmann, former Oxford friends who now attend the last-minute 'peace' conference as rising stars of the their respective civil services. How they will come out of it, particularly Paul who is most at risk, provides both the tension and a breathtaking twist right at the end which I for one never saw coming.


Thus a great deal of artistry goes into the construction of Harris's story which hides comfortably behind his seemingly effortless and efficient prose. The Times is right. There's only one word for Munich, that's masterly.