Fearless - M V Craven

 I discovered Mike Craven in Maxim Jakubowski's Birds, Strangers, Psychos anthology.   That was a short story in his Poe and Tilly series.   I looked in my local library and found this, the first novel in his US-set Ben Koenig series.

Koenig is a specially trained US marshal who went off the grid when a Russian mobster put a $5m bounty on his head for killing his son in a raid.   Six years later Koenig is tracked down by his former boss, Director of Marshals' Service, Mitch Burridge.   Someone has abducted Mitch's daughter; Mitch wants Koenig to track whoever it is down, recover young Martha, and wreak massive violence on the perps.   Both men know that the chances of Martha being alive are remote.

Mitch wants Koenig for the job not only for his special training.   The reason Koenig was chosen for special training is that he has Urbach-Wiethe disease: he literally cannot feel fear.

The first thing that impressed me was the depth of the backstory Craven has created.  I assumed there had been an earlier novel in which all this happened.   Oh no - this is the first, the place we start from.   And there's tons more about training, techniques, tactics, all of which is seamlessly introduced into the story which clips along at a genuinely thrilling pace.   In part, Craven is able to maintain the pace for over four hundred pages because he writes in short, sharp chapters, 127 of them.   There are many chapters where Koenig is simply travelling or observing, ideal opportunities to slip in some information and thus avoid the boredom of what the hero is actually doing.

The plotting is absolutely superb.   Where Craven got the idea for what is actually happening is beyond me.   I thought I was a dedicated reader of the small print and out-of-the-way news.   Not compared to Mike Craven I'm not.

Koenig is a great character.   He doesn't have the customary baggage - he doesn't have an ex-wife or girlfriend tp protect, he doesn't have a drink or drug problem, he just has the rare but genuine condition that makes him unique.   He knows all about his condition and he is well aware of the effect it has on his enemies.

I am hooked.   The next Koenig novel, published in late 2024, is Nobody's Hero.   I'm definitely reading that.   There remains the Poe/Tilly series, set in Cumbria, which I still want to try.   And a third series, also set in Cumbria, featuring the nicely-named Avison Fluke.   Plus a 'darkly funny' standalone, due out next year, called 101 Ways to Die in New York.  Yep, count me in.

Benbecula - Graeme Macrae Burnet

 Graeme Macrae Burnet broke through when His Bloody Project (reviewed on this blog back in 2017) was Booker nominated.   Benbecula is his contribution to Polygon's Darkland Tales, of which I have read and reviewed Val McDermid's slightly disappointing Queen Macbeth and Denise Mina's triumphant Rizzio.   Benbecula is in no way disappointing.   In fact it is very nearly as brilliant as Rizzio.   The fact is, it is exactly the same as His Bloody Project - bloody murder in the Highlands and Islands, apparently based on historical events.  Burnet has carved himself a niche in historical metafiction and has, so far, two strands: the French one (the Gorski trilogy) and the Scots one (another trilogy if we include this novella with His Bloody Project and Case Study.   I haven't read any of the Gorski books yet, but I wolfed down Benbecula in exactly the same way I devoured His Bloody Project.   In his curious, idiosyncratic way, Burnet is an absolute genius.

As ever, we are told straight away about the dark deed.   Narrator Malcolm MacPhee tells us his brother Angus murdered their father, mother and aunt, causing the isolated island community the shun what remained of the family.   Sister Marion and younger brother John couldn't take it and ran away to the bright lights of the Isle of Skye.   Malcolm lives on alone in his crofter's cottage, not bothering to do anything any more but brood and drink.   His rare visitors include Mrs Macleod, who insists he bathes once a month, and the local cleric who feels obliged even though Malcolm refuses to attend mass.

Malcolm relives his brother's downfall.   Angus was always unruly but he managed fine until Malcolm walked off a temporary job he had taken on a neighbouring island and Angus replaced him for a week or so.   Angus changed when he was away.   No one knows why.   When he came back across the sound at low tide he was chased and mocked by people from the other island.   He refused to work, frightened village girls, and one day started ringing the church bell for no reason whatsoever.  The family had to keep him tied up.   But he seemed to get better, and vigilance was relaxed until, again for no reason, he did what he did.   Now Angus is secure and forgotten in a madhouse on the mainland.

Is Malcolm a reliable narrator?  Who knows.   There is a lengthy Afterword in which Burnet points out differences in Malcolm's account in the book and what he and others said in their precognition statements for the court that tried Angus in Inverness in 1857.   But, of course, it was Burnet who chose to make those inconsistencies.   Are the records he claims to have used real or made up?   That is the beauty of Burnet's technique.   Personally I loved that he chose to cite precognition statements, a unique feature of Scottish Law.  (They do exist - I checked.)

Shadows Over Innsmouth - Stephen Jones (ed)

 I am fascinated by H P Lovecraft and I write continuation stories.   What could be better for me than this collection of continuation stories based on the one story?   Editor Jones includes the story itself and I enjoyed re-reading it, though I must have read it half-a-dozen times before.

There are seventeen other stories, none of which I have read before, plus excellent illustrations by top graphic artists and an informed introduction by Jones himself.   I particular enjoyed the stories by Brian Stableford ('The Innsmouth Heritage'), David Langford ('Deepnet') and Brian Lumley ('Dagpn's Bell').   I was surprised how much I enjoyed 'Only the End of the World Again' by Neil Gaiman, who is one of those writers whose cleverness I admire but whose work sometimes gets too clever; this example I thought was absolutely on point and strikingly atmospheric.

Jones has done at least two more Innsmouth volumes for Titan Books.   How much Innsmouth can I take?   We'll have to find out.

Smoke - Joe Ide

 Back in June I stumbled across Joe Ide's The Goodbye Coast (see below).  I liked the style and the story but the central concept was badly misjudged.   Smoke, however, is one of his IQ series and is absolutely spot on in all regards: story, concept, character, style.   IQ Isaiah Quintable, genius detective of East Long Beach - or, in this case, was.   PTSD has overwhelmed him.   He has hit the road to anywhere, leaving friends, associates, and his lover behind.   Those linked people have clearly all been rounded out in preceding books and have stories of their own, which Ide rolls out alongside the main storyline.   Street hustler Dodson, for example, is taken on at an advertising agency and discovers talents he didn't know he had.   Dodson provides comic relief and is genuinely laugh-out-loud funny.

The main storyline is the hunt for the serial killer known as AMSAK.   We know from the outset that this is Crowe, currently on probation in Sacramento and burglaring on the instructions of his probation officer.   Crowe has had enough of this, turns the tables, and blackmails the PO into removing his ankle-tag and vouching for Crowe while Crowe takes off in search of victims.   What only becomes apparent during the book is that Crowes is killing in partnership with his half-brother Warren.   What neither of them know is that Ava, twin sister of their last victim, is on their trail, assisted by Billy the internet geek.

Smoke is full of layers and twists, all expertly handled by Ide.   The final twist , in the very last line, is stunning, a masterclass in how to handle a cliff-hanger to set up the next book in the series.