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Wednesday, 8 October 2025

A Cold Wind from Moscow - Rory Clements


 The latest in the Tom Wilde series, A Cold Wind from Moscow is a particular rich example of what is best in a long-running series.   Time has moved on (to 1947 and the UK's coldest recorded winter), characters have developed and changed (Philip Eaton has apparently been outed as a 'useful idiot' for Stalin's Soviets) and new characters have stepped forward to take their place.   Freya Bentall, for example, is the de facto boss of MI5, albeit the former police gangbuster Percy Sillitoe is the nominal chief.   She asks Professor Wilde to take a short break from his university duties to try and identify which of three MI5 agents is possibly a double.   Meanwhile Uncle Joe Stalin has personal instructed his 'black work' specialist Lazar Lukin to go to the UK and stir up chaos in order to shield their prime nuclear asset Klaus Fuchs who, as Clement neatly points out, was the man who built the nuclear bombs of America, Britain and Russia.   Among Lukin's alloted tasks is the elimination of another veteran of Los Alamos, Basil Rheinhaus.   Reinhaus is a brilliant scientist with a gambling problem, which led Fuchs to try and recruit him as a Russian asset.   Reinhaus, however, preferred to report Fuchs to MI5 and is now in hiding.   One of Tom's suspects is Reinhaus' contact man.   He takes Wilde to an arty event at the home of the super-rich socialite Vivienne Chalke, at which Wilde recognises Reinhaus.   Then all hell breaks loose.

And, I almost forgot, the novel opens with the murder by ice axe of another MI5 agent in Tom's set at college.

A Cold Wind from Moscow is the best of the Wilde novels I have read to date.   Several of the supporting characters are superb, Vivienne Chalke for instance, and East End ice-axe man Terry Adnams.   Tom's wife Lydia is training to be a doctor at St Ursula's in London and I missed her dry wit, and I didn't take to the young woman the Wildes have drafted in to look after their young son.   Other than that, I found only one misjudgement on Clements' part: there is an unnecessary appearance by three of the actual Cambridge spies in the epilogue.   Why?   Unless, of course, that is our clue as to what comes next in the series?   We shall see.

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