Pierre and Jean - Guy de Maupassant

 Pierre and Jean is not the novel Maupassant writes about in his famous introductory essay, 'The Novel.'   Indeed, the essay is more famous than the novel that follows.   The essay is Maupassant's only critical work, whereas he wrote hundreds of short stories and five or six novels in his single full decade as an author.   In it he explains why the psychological novel is bound to fail - because the only psychology we are really familiar with is our own.   He then gives us, in Pierre and Jean, a psychological novel.

It is primarily the psychology of Pierre which dominates.   The Roland brothers of Le Havre are unusually fraternal.   Pierre has qualified as a doctor, Jean a lawyer; both are living with their parents while they lay the foundations for a career.   Both are enamoured with the pretty widow Madame Rosemilly and maintain an amicable rivalry.

Then, out of the blue, an old family friend bequeathes his fortune to the younger brother, Jean.   Pierre is initially happy for his brother.   Then the questions start in his head.   Why Jean, not him?   Why not half each?   Questions become suspicions.   Suspicions fester, poisoning Pierre's relationship with his brother and, especially, their mother.

Maupassant is a naturalisr.   He knows that in the real world these things result in compromise, not tragedy.   Arrangements are made, an outcome acceptable to all parties is negotiated.   And so it is here.  The lives of all four main characters are changed but not ruined.   The door to rapproachment is left open.

And it is beautifully done, the work of a master at the height of his powers.   It is not really a novel, of course, only 130 pages.   But every page is packed with life and detail, to a much greater extent than a short story.   The cast is small, four principals and three or four bit-part-players, all expertly characterised, the action continuous and compressed.   It's the perfect novella.

The Night Man - Jorn Lier Horst

Having enjoyed Wisting on TV I picked up one of the original novels with a few reservations.   Often (Wallander) the TV versions are nothing like the originals, albeit later novels sometimes come to resemble the TV series (Wallander, again).   The good news with Wisting?  The two are exactly the same.  100% match.

I don't know if The Night Man has been adapted for TV yet.   I doubt it, given the gruesome nature of the initial crime - the head of a teenaged asylum seeker is displayed on a pole in the Larvik marketplace.   William Wisting and his ubiquitous reporter daughter Line investigate the same crime from different starting points.   Line ends up as a potential victim.   

What I particularly liked, which we don't get in the TV version, is the compelling depiction of provincial policing.   I also liked that in this novel from 2009, Nils Hammer, Wisting's colleague, doesn't overtake the narrative (which he regularly does on TV, due to a charismatic actor).   In fact, I had to concentrate to determine which one he was.

The story faces up to contemporary issues - refugees, prejudice, human trafficking and opiates funding international terrorism.   Author Horst has clearly thought them through.   Everything about the book convinces and compels.   I enjoyed it a lot. 

Prince of Spies - Alex Gerlis

 Prince of Spies is the first in Alex Gerlis's quartet featuring Lincolnshire Detective Superintendent Richard Prince, who in 1942 is recruited by MI6 and sent undercover to occupied Denmark to root out a potential mole in Six and to check out sources who have been relaying information about the V1 and V2 programme.   Prince's mother was Danish and he spent his school holidays there.    He also speaks a reasonable amount of German and some French.

The mission is only supposed to last a couple of weeks but Prince's contacts are thorough.  His main contact, Agent Osric (Prince is Laertes), is also a cop, a female detective in Copenhagen called Hanna Jakobsen.   Other contacts and agents are kept at arm's length but include anti-Nazi Germans at the highest level.   After a slow-burning start, Denmark is where the novel really comes alive.   Gerlis uses straightforward prose which, at that point, becomes vital for us to be able to follow the twists and turns of who is who and where they stand.   The characterisation of these agents is more detailed than usual in spy fiction - particularly in war spy fiction, which tends to favour stereotypes of good and evil.   This is the sign of Gerlis's mastery in the genre; he is now launching his fourth series of wartime novels.   It enables us to appreciate the sacrifice these people make.

The thrill-rate is well managed and there are couple of intriguing side-plots.   I especially enjoyed the betrayal of the high-ranking SS officer by his wife, which is entirely conducted in letters and a couple of official memos.   I also liked the arguments over tactics between the spies, the military, and Winston Churchill's special advisers.   I suspect these play out over series.   I am definitely adding Gerlis to my list of must-reads.

The Great When - Alan Moore

A novel by the great master of serious graphic novels.   A novel in the psychogeographical footsteps of Iain Sinclair with the imaginative spin of Michael Moorcock's Mother London.   What could be further up my street?   What could be better?   Nothing could be either: The Great When is a rush of thrills and delight from start to finish.

It is the coming of age of Dennis Knuckleyard, an orphaned teenager in 1949, working and lodging in the premises of second-hand bookseller and former starlet Coffin Ada.   Ada sends him to buy a set of books by Arthur Machen.   Dennis gets them for a snip.   But the box contains a book that shouldn't be there - a book Machen made up in two of his weird works.   Ada wants shut of it - immediately.   Dennis tries to return it to the vendor - only to find him being carried off to the morgue.

The next thing he knows, Dennis is being pursued through nighttime London by two of gangster Jack Spot's henchmen.   Down one backstreet Dennis stumbles against a crate which turns out to be a gate, a portal into a very different London.   This is Long London, a richer, more vibrant, more magical version - and somewhat more dangerous.

Back in the duller world of reality Dennis tracks down artist and mage Austin Osman Spare, former disciple of Aleister Crowley, who we met in the prologue.  Spare gets much inspiration from Long London, which he visits often.   He agrees to go there with Dennis to return the book which shouldn't exist.   First they go drinking in London's postwar Bohemia, beloved of Dylan Thomas and Andrew Sinclair (who also wrote of an alternate London in his Gog and Magog, which I sadly found unreadable).  Dennis soon meets his own Gog, Gog Blincoe, a wooden man from Long London who hangs round with a street vendor and art enthusiast called Ironfoot Jack Neave.   These are the good guys, who help Dennis rescue teenage prostitute Grace Shilling from the notorious Spot.

Spot wants to be introduced to the embodiment of all London villains, Harry Lud, a manifestation from the other London.   This doesn't go well for Spot but it seems to cure all Dennis's problems.   Jack, however, has one last visit to make, one last enemy to overcome...

Brilliantly written, every sentence brimming over with life and arcane knowledge.   I cannot wait for the next Long London novel, due out later this year.

My Name is Nobody - Matthew Richardson

 

An Islamist suspect is being grilled by MI6.   He doesn't care - he knows he has something to trade.   A secret that will shake the spying world.   Solomon Vine, the lead investigator, gets a call.   Release Dr Yousef immediately.   It comes from C himself, Sir Alexander Cecil.   Vine, always the awkward one, delays and wonders why he should let his man go.   In the meantime, someone shoots Dr Yousef.

Vine returns to the UK, persona non grata at MI6.   But his old mentor Cosmo Newton, former chair of the Joint Intelligence Committee, offers a lifeline.   Newton thinks he knows what Yousef's secret was - a mole in MI6.   Thus the adventure begins, spy on spy, Vine against Gabriel Wilde, his oldest friend, the other investigator when Yousef was shot, the man who took Rose, the love of Vine's life.  Wilde has been snatched in Istanbul.   A video circulates in which 'terrorists' threaten to behead him.   Is it real - or has Wilde staged the kidnap?   Is Wilde the mole?

The story is gripping enough, the characters sufficiently well drawn.   It is spy fiction in the Smiley mode - spying on spies, the enemy within - and a good example of the genre.   I enjoy the sub-genre and I enjoyed My Name is Nobody (though I hate the title).   I wonder, though, what can anyone bring to the game which Le Carre hasn't already done to the point of death.   Nothing much, I fancy.   In this instance I admit I didn't get who 'Nobody' was but I knew more or less from the outset who the mole was.   The denouement I found slightly underdone.   The build-up to it, however, was extremely well worked.   Not a classic but a very good, very enjoyable thriller.