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Showing posts with label perversion. Show all posts
Showing posts with label perversion. Show all posts

Wednesday, 19 April 2017

Midnight in Peking - Paul French





I can't fathom why I hadn't heard of this book before stumbling upon it in my local library. Midnight in the Garden of Good and Evil was a big hit for John Berendt twenty years ago - they even went on to make a crappy movie - and this book has obvious similarities (real-life murder, cultural bubble, kinky sex and the word midnight in the title). I won't say French's book is better but it is definitely just as good.


It will come as no surprise that the setting here is Peking. The year is (just) 1937. Russian Christmas, January 7. The bubble is the expat community in what was, temporarily, China's second city. Chiang Kai Shek is losing his grip on power and the Japanese are about to invade. A young woman is found butchered in the shadow of the historic Fox Tower. She is Pamela Werner, adopted daughter of E T C Werner, former British consul and leading Sinologist, a man who has devoted his life to understanding Chinese culture.


Unfortunately for Werner, he has fallen from favour with the British Legation, which refuses to permit the Chinese police to investigate in their jurisdiction. A British inspector, Richard Dennis, ex-Scotland Yard, is seconded from another district to assist Inspector Han, but is expressly forbidden to have contact with Werner.


The British, it turns out, have secrets to hide. Pamela, a girl with problems, was still a pupil at Tientsin Grammar School, boarding with headmaster Sydney Yeates who has very recently been sent home because parents, including Werner, complained about his enthusiasm for thrashing. In Peking Pamela likes to be seen as the sophisticated young woman she ought to be - she is twenty years old, after all. She has admirers. On January 7 she goes ice skating with her girlfriends, and disappears on her way home.


The assumption is that it is a very un-Chinese murder. The killer must either be living in one of the many foreign legations or in the Badlands, a red-light district frequented by overseas riff-raff, decandent playboys and hordes of White Russian emigres fallen on hard times.


It is the Badlands, inevitably, which grab our attention. The most useful contact made by any investigator is Shura, a White Russian of indeterminate gender, who alternates as call girl and raffish pimp. One of his sidelines is providing naked girl dance groups for parties in the apartment of a seedy American dentist who also runs a nudist colony in the hills above Peking.


The hero of the book is definitely E T C Warner himself, a dry as dust scholar in his early seventies, who nobody likes. It is French's great achievement that we come to love the old man who doggedly refuses to let the authorities close the file on his dead daughter. When the official investigation runs out of steam, Werner hires his own investigators. When the Japanese come, he presses on alone. Later he is interned in a horrific prison camp. Still he persists. He survives the war - and still he goes on, not resting until he finally expires at the grand age of eighty-nine.


It is Werner's account that forms the basis of French's book but it is the demented cultural hotchpotch of prewar Peking that brings the story alive, and that is all down to French, his massive research and his storytelling flair.


Highly recommended.

Tuesday, 3 May 2016

Grotesque - Natsuo Kirino


I really am in two minds about this book.  On the one hand I read all 467 pages and never thought about packing it in.  On the other, it never gripped me.  The end neither surprised or disappointed me - yet I can't get Grotesque out of my mind and on balance that has to mean Kirino is doing something right.

The blurb on the back tells us Kirino (a pseudonym) is a leading Japanese crime writer.  This seems to be the case, but Grotesque is not really a crime novel.  Our unnamed principal narrator is neither the victim nor the perpetrator.  She is merely a dispassionate observer of the effect the crime has on others.  This is strange and unsettling, given that she is the sister of one victim and a purported friend of the other.  The strange and unsettling tenor of the book is actually what keeps you reading.

It is no secret who killed the sister, Yuriko, but he flatly denies murdering the second, Kazue.  In Japan, apparently, the defendant is expected to write a pre-trial statement, explaining himself and either justifying his legal arguments.  He - the Chinese illegal immigrant Zhang thus becomes the least reliable of our unreliable narrators.  Both Yuriko and Kazue tell their versions through their journals: Yuriko became a prostitute to monetarise her beauty, Kazue does it as a hobby - she is otherwise a successful professional career-woman.  Both do unspeakable things.  That's the kind of novel this is - even the beautiful blind Yurio, Yuriko's abandoned son, is manipulative and utterly bound up in self-interest.

The fact that none of the characters are in any way likeable is what makes Grotesque as book hard to like.  The title is absolutely correct - everyone here is grotesque in one way or another, indeed less than fully human.  What is it actually about?  Well, I suppose in one aspect it is about the dehumanising effect of modern cross-cultural life, particularly on woman.  It is certainly not about the methods women use to carve out an identity for themselves because everyone here has an identity imposed on them by others.  If I had to plump for a single definition it would have to be 'a novel about perversion in the widest sense - social, cultural, psychological.'