Sea of Spies - Alex Gerlis

 Second in the Richard Prince series, Sea of Spies follows straight on from Prince of Spies (reviewed recently on this blog).   It is now the middle of 1943: Prince is back in England, Hanne Jakobsen, who helped him escape the Nazis, is in Ravensbruck concentration camp.   Prince is in England but not back in the police force.   His infant son Henry has been abducted in an adoption scam and Prince has been searching for any trace of him.

Meanwhile MI6 is keen to disrupt the clandestine flow of chromium, essential for missile production, from Romania to Nazi-occupied Czechoslavakia via Turkey.   Turkey is officially neutral and denies all knowledge, despite pressure from Churchill's Chief of Intelligence Sir Roland Pearson.   So Pearson leans on his old schoolfellow Tom Gilbey who persuades Prince to go to Istanbul under the guise of irish journalist Michael Eugene Doyle to gather evidence.   While Prince is away Gilbey puts two retired Scotland Yard detectives on the hunt for the missing boy.

Just gather evidence and get out of there - those are Prince's instructions.   Of course, that's now how it pans out.   Prince is suckered into rescuing a different boy from Nazi-occupied Greece, in return for which he is smuggled aboard a ship carrying chromium to the former Skoda factory in Pilsen.

The story itself is excellent.   The problem is, the main plotline isn't raised until Chapter 6 and Prince doesn't appear until Chapter 7.   As in Prince of Spies, Gerlis takes too long to get going.   Personally I would have started with Chapter 6 and filtered everything else in later.   Proofreading, as ever these days, isn't perfect but a more serious problem is the lack of invention with names.   There are too many Martins, for example.   Likewise, more diligent editing would have revealed clumsily repeated words in the same sentence.   Small flaws in themselves but they add up.

On the other hand, Gerlis's geopgraphical setting is first rate, totally convincing.   Prince's character continues to develop and there are interesting characters emerging at MI6.   Once it gets moving, Sea of Spies is engrossing and compelling.   I never thought I could get even slightly interested in chromium.

I like the sound of Ring of Spies, the next in the Prince series - and then there's Gilbey's other series, Spy Masters... 

Journey into Fear - Eric Ambler

Eric Ambler (1909-1998) was the master of spy fiction. Before him there was John Buchan and whoever it was created Bulldog Drummond; after came James Bond. Without Ambler there would have been no Bond. Fleming absolutely stuck with Ambler's formula for success, though in my view his writing was never as good. Where Fleming outshone Ambler, however, was in having the continuing hero. Each of Ambler's major thrillers has a different hero and they tend to be middling men of no particular significance who by chance become embroiled in the machinations of nations. They are more like real spies in that sense and, given that we know they will not recur in the next book, we cannot be sure they will survive, which adds suspense utterly lacking in Bond.


Here, for example, Mr Graham, who lacks even a forename, works in a senior capacity for an international arms manufacturer. This being 1940, the firm's products are in great demand and Mr Graham - having survived an assassination attempt in Istanbul - is trying to get home to England on a cut-price ocean steamer. His fellow passengers are few in number. Any or none of them might be in league with the assassin, who also manages to slip aboard. That, in essence, is the story.


It is down to Ambler's skill as a storyteller that we remain enthralled. His characterisation is excellent, his writing strong. He uses narrative devices well beyond his successor Fleming. For example the first couple of chapters unfold in flashback. We are aware of Mr Graham's amended plan to sail aboard the scruffy steamer, then find out why he has agreed to give up his original plan to travel first class by rail. This gets excitement in good and early (the attempt on his life), introduces the femme fatale (the glamorous nightclub dancer Josette) and reveals the involvement of professional spies in Colonel Haki of the Turkish secret service.


Journey into Fear made an excellent film with Orson Welles as Haki. After the war Ambler moved to Hollywood to write and produce movies. He was extremely successful - I had no idea until I looked him up. He wrote the screenplays for The Cruel Sea and the best of all Titanic movies, A Night to Remember. That is how good he was. Better than Buchan, better than Fleming. The best.

Istanbul Passage - Joseph Kanon

Joseph Kanon is like Alan Furst, one of the US writers of grown-up wartime espionage novels. I like them greatly but they don't seem to do so well in the UK market. They definitely deserve to be better known. Perhaps the problem is that they are so similar in style in subject. Perhaps together they achieve bestseller status on this side of the Atlantic.


It will surprise no one to learn that this, Kanon's sixth novel (the immediate precursor to Leaving Berlin, which I reviewed here) is set in Istanbul. It is 1945 and loyalties are in a state of flux. Russia, so recently a US ally, is now the enemy, more so than Germany at any rate. Turkey is seeking a relationship with both superpowers, the surviving Jews are trying to get to Palestine, and the Balkans are by and large up for grabs. Some Balkan states sided with the Nazis, others opposed. Romania tried to out-Nazi the Nazis, the only occupied country to set up its own concentration camps. It is a Romanian Nazi, Alexei, who is passing through Istanbul on his way to the US.


Leon Bauer, a US tobacco executive who dabbles in espionage, is given the job of picking Alexei up and passing him up the line. The pick up is by the Bosporus, late at night. Someone attacks. Leon shoots back - and kills the guy who told him to collect Alexei. This is a great start to a novel. What happens now? Well for starters Leon is put in charge of the investigation. At the reception after the funeral he meets an embassy wife (the embassy being in the capital, Ankara, not Istanbul which only has a consulate) and the begin a guilty affair.


Leon's wife, Anna, is in a nursing home. She has not communicated or reacted since a boatload of her fellow Jews which she had arranged was sunk. Leon's friend Mihai, who was with him at the pick up, is a Romanian Jew, the last person on earth willing to help him get Alexei out of the country.
This is how spy novels should be - deal and counter-deal, shifting priorities, nuanced compromises. There is action but not too much. Yet Kanon can keep our attention for four hundred pages by just piling the pressure onto Leon. The final twist is excellent, the setting - Galata Bridge, joining Europe and Asia - just brilliant. Nothing is as it seems. Everybody is betraying somebody.


Kanon's style takes some getting used to - short, ungrammatical sentences - and it works best in the high-tension passages. One section, a party in the residence of the former harem girl Lily, goes on far too long. It's an important passage, even crucial, but Kanon really needed to divide it up. How long does he think the reader is going to read in one go? I tend to read in half-hour bursts. Three sessions to read one episode (he doesn't do chapters) is frankly two too many. These are minor quibbles though. The characterisation is very good, the plot brilliant, and the research - as ever - faultless.