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Showing posts with label Henry Kuttner. Show all posts
Showing posts with label Henry Kuttner. Show all posts

Monday, 16 March 2026

Spectrum II - Kingsley Amis and Robert Conquest


 Amis and the polymath Robert Conquest published five Spectrum sci fi anthologies from 1961.   This, self-evidently, is the second, published in 1962, contain eight stories from the period 1946-58.  Those anthologised are mainly American because in that period sci fi was mainly American.  Only Brian Aldiss is British and I find him very difficult to get on with.   James Blish, it should be pointed out, did not move to the UK until 1964 and his story here, 'Bridge', dates from 1952.

The longest story here is Wyman Guin's 'Beyond Bedlam' (1951).   I enjoyed it - it is clever and well-sustained twist on schitzophrenia.    Other, shorter stories, such as Asimov's 'The Feeling of Power' and Mark Clifton's 'Sense from Thought Divide' seemed to me pedestrian and unambitious.  'Resurrection' (A E van Vogt) and 'Vintage Season' (Henry Kuttner) were more substansial and more satisfying.   Best of all was Philip K Dick's 'Second Variety' from 1953, very early in his career and twenty years before he underwent his psychic revelation.   It has the clever twist of the better short stories whilst developing empathetic characters and an Armageddon-like warscape that, at the time of reading it, was only too relevant for me.

Blish's 'Bridge', I should point out, is typical Blish, a deconstructed metaphor.   When I was a lad and Blish was still amongsr us, I read his Doctor Mirabilis.   That's a book I really should read again.

Thursday, 12 September 2019

Science Fiction Hall of Fame - the Novellas Book Two - (ed) Ben Bova


Another fascinating relic of Sixties and Seventies which I completely ignored at the time. Ben Bova's contribution is insignificant but the four novellas are all engrossing in their own way. Robert A Heinlein's Universe is on the hard side of sci-fi, set in a spaceship so big that is a world in itself, so far into its voyage that it has forgotten there is a universe outside. Vintage Season is by Henry Kuttner and his wife C L Moore (writing as Lawrence O'Donnell). Oliver takes in a family as vacantioners-cum-lodgers; they gradually reveal themselves as aliens on a visit to take in Earth before something happens. It would be crass to reveal what that something is, but it has to be said that the last line (which could easily be the first line of another story) is a stunner. The Ballad of Lost C'mell by Cordwainer Smith is the only novella here not written in the 1940s. It dates from 1962 and is pure Beatnik. It is extreme fantasy, set in a time when science has been sublimated, when "Earthport stood like an enormous wineglass, reaching from the magma to the high atmosphere." Jestocost is a Lord of Instrumentality whereas C'mell is a very girly girl, so girly that she is in fact a human-shaped cat, a homunculus. Yet Jestocost loves C'mell. The question is does she - can she - love him? And finally we have Jack Williamson's With Folded Hands, written in 1947 but still pertinent today because it is about the coming of the super-robots. The Prime Directive, a forerunner of Asimov's Laws, is brilliantly and bleakly enacted. It was for me the most effective novella in the collection, albeit Cordwainer Smith is a better writer.