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Showing posts with label Grand Guignol. Show all posts
Showing posts with label Grand Guignol. Show all posts

Monday, 14 November 2022

Haunted Castles - Ray Russell


 Round this time last year I reviewed Ray Russell's The Case Against Satan on my blog.  On the basis of that I bought Haunted Castles and now I've finally got round to reading it.   What a book!  A masterpiece of Gothic Horror that has somehow fallen from sight.  Thankfully it's now a Penguin Classic endorsed by the great Guillermo del Toro.

Essentially the collected Gothic stories of Russell (who also wrote sci fi and twist-in-tail stories), Haunted Castles comprises three long tales obviously meant to go together from the outset ('Sardonicus', 'Sagittarius', and 'Sanguinarius') and four shorter works in similar style: 'Comet Wine', 'The Runaway Lovers', 'The Vendetta' and 'The Cage' (also known as 'The Prince of Darkness', the opening story in Russell's collection of the same name, which I'm currently working my way through.)

If I have to name a favourite, it's 'Sagittarius'.  I liked 'Sardonicus' a lot, 'Sanguinarius' a little less, mainly because it's Eliabeth Bathory and I think my own novella about her will be scarier; basically, we take totally different approaches to her character.   'Sagittarius', though, is pure Grand Guignol and couldn't be more to my taste.  One of the characters even performs at the theatre of the same name.  Pure bliss.

Overall, I really enjoyed the way several stories are linked by Harley Street physician Sir Robert Congrave and his travelling pal Lord Henry Stanton.  Stanton's letters to Congrave give Russell another story-telling device which adds texture to his narratives.  It helps that the two friends are so completely different in character.

In summary, Ray Russell is a great of horror fiction, up there with Lovecraft and M R James.  I deliberately exclude living masters because they came after.  Stephen King, of course, is a generation later than Russell but broke through at a similar time.   I wonder if King, surely the greatest horror writer of all time, was aware of Russell when he started out? 

Monday, 14 October 2019

Grand Guignol - Carl Grose


Grand Guignol  is a play. Not a Grand Guignol play but a play about Grand Guignol, specifically the creation of the form in the Parisian theatre of that name around 1900. It starts with a performance of such a play which causes the celebrated physiologist Alfred Binet, the inventor of intelligence testing, to intervene. He simply cannot contain himself and leaps up onstage, breaking the illusion. He gets introduced to the Prince of Terror, Andre de Lorde, otherwise a shy, unassuming librarian and they start to collaborate. Ultimately they conceive the most outrageous of classic Grand Guignol (certainly in England), Crime in a Madhouse

The performance switches between actual performance and the actors who are doing the performance. Everything we need to know about Grand Guignol in order to follow the action is provided. It is more or less accurate - Grose in his acknowledgements cites the best known authorities on the form, Mel Gordon, Richard Hand and Michael Wilson. There is what I felt was an unnecessary subplot and one rather clumsy in-joke. Other than that, the play is great fun and I would love to see it live.


Grand Guignol was first performed in The Drum at the Theatre Royal Plymouth on October 29 2009.