Private Angelo - Eric Linklater

Is Angelo Linklater's masterpiece?  It may well be.  Arguments can be made for the two Don Juan novels, and some of his books for children are classics in their own right, but I suspect Angelo is the one that will count.

Written in 1945 and published in 1946, Angelo was Linklater's first novel since immediately before the outbreak of war.  This was not because of block but because Linklater was a genuine war hero.  Shot in the head in World War 1, by the time Chamberlain made the war broadcast on September 3 1939 Linklater was already on active duty guarding Scapa Flow.

Within a few months the famous novelist had been seconded to the Ministry of Information, for whom he produced the official history of significant battles, all of them glorious defeats.  This led him to collaborate on radio versions with the BBC which in turn led to his famous series of dramatic 'conversations' which were tremendously popular and upon which I appear to be the world expert.

The last conversation was Rabelais Replies in 1943.  Linklater then returned to active service, based in Italy between the Italian surrender and the Allied clearance of the Germans from Italy.  This is the period in which the bulk of Angelo is set.

Angelo is the soldierly everyman, good-hearted and dutiful enough but lacking the dono di corragio.  As with all moralities, from Everyman itself to Pilgrim's Progress, his adventures lead to him finding that which he started out lacking.  All of it is done with Linklater's characteristic humour - he is a comic novelist in the tradition of Dickens and Compton Mackenzie.  But much as Linklater admired the fighting man, he absolutely loathed the political nincompoops who led the world into war.  And he says so, several times.  Passages here reflect the tone of his first and best radio conversation The Cornerstones (1941).

I can't pretend I like The Cornerstones when I skimmed through it nine or ten years ago.  Since then I have discovered and anatomised Linklater's radio work, learned about his impressive life, measured his considerable literary achievement and come to love some of his novels.  That absolutely includes Private Angelo, which should be on every school syllabus instead of puffed-up guff from writers who weren't there and didn't understand.

Juan in America - Eric Linklater

Eric Linklater is not a name on literary lips these days, but in his prime he was enormously popular and critically highly regarded. His wartime radio plays for the BBC were seen as so important to the war effort that they were discussed in broadsheet editorials. His third novel, Juan in America, was a bestseller and whilst it may seem entirely fanciful, Linklater's own travels as a young man were even more incredible - India, China, and indeed America. This is a novelist who knows whereof he writes.

I don't know, but I suspect his work and amatory experiences were not quite so varied as Juan's, who goes from college football hero to bum to slinger of hash, bootlegger, ice cream dispenser, upside-down opera singer and movie extra, and whose conquests include an Amazonian acrobat and a gangster's daughter.

Juan is a direct descendant of Byron's Don Juan. He shares the Don's taste for adventure and the ladies without being either predatory or amoral. He is a likeable companion as we follow his picaresque travels. There are occasional affronts to modern taste - Linklater's handling of black people is not what we would wish, though it has to be remembered that he was writing in America in 1931 and in many ways reflects the attitudes of East Coast Ivy Leaguers of that era. Read closely enough and you realise that, whilst he doesn't seem to rate his impoverished black characters as individuals, he does empathise with their historical plight, "the result of forcibly transporting a people from one continent to another, using them in slavery for several generations, and then bestowing on them a nominal freedom and a position beyond the pale of society."

All in all, Juan in America is a splendid example of English picaresque from the first half of the 20th century. As such, Linklater's rivals in the field were not Huxley or Forster but Priestley and Mackenzie, neither of them particularly popular these days either. But Juan in America has never been out of print in the eighty years since it was written, and that has to be the best kind of recommendation.