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Wednesday 25 November 2015

Magnus Merriman - Eric Linklater


Magnus Merriman (1934) is Linklater's comic take on early literary fame and Scottish politics.  Linklater was familiar with both: his third novel Juan in America, also reviewed on this blog, had been a considerable success and on the back of it (with a nudge from his friend Compton Mackenzie) Linklater stood as the very first Scottish Nationalist candidate in the East Fife parliamentary by-election of 1933 - with a similar catastrophic result to that suffered by his hero here.  Linklater lost his deposit with only 3.6% of the vote.  Even the candidate for the Agricultural Party got five times more than him.

For me, as a political activist, the first third of the book, with its raucous scenes of Edinburgh nightlife and the local literati, is the most entertaining.  The rabid poet Skene is easy to identify in reality but I would love to know who some of the others are, especially Meiklejohn, the journalist who lends his dress trousers.

Merriman's sex life is quite breathtaking for the period and one wonders how much of that is based on the author's experience.  It is noteworthy that he married in 1933 and Merriman is probably the first book written after his marriage.  His wife Marjorie, to whom the novel is dedicated, is clearly not the model for Rose, the farmer's daughter Magnus marries in Orkney.  The Orkney episodes make up and second and much of the third 'acts' of the book.  The tone changes, awkwardly but not unpleasantly, as Magnus rediscovers the beauty of his homeland, its simple rustic pleasures and, ultimately, Rose.  In between is a brief return to London where Magnus writes journalism for a newpaper owned by Lady Mercy Cotton.  Lady Mercy and girl-reporter Nelly Bly both apparently figure in Linklater's earlier novel Poet's Pub, which I haven't yet read.  Again I cannot guess who her real-life parallel was.

I continue to enjoy Linklater.  His politics are not mine but there is material here which, 80 years on, is just as accurate in its condemnation and outright abuse of the political classes.  Linklater is a conservative but his not the Thatcherite free-market, greed-is-good, greed-is-great brand.  No, Linklater is an old-school conservative of freedom, honesty and fair play.  He is a good sort and good company.

 

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