Myron - Gore Vidal

 Myron is not as good as Myra Breckinridge for two reasons.   Firstly, it's more about Myra and her attempts from Myron, and secondly, the second joke is rarely better than the first, especially when your first sally is as good as Myra Breckinridge.   That said, Vidal upends expectations.  We assume Myron is a prequel but it is actually a sequel.   The original pre-Myra Myron was a cinema geek, an intellectual, whereas this Myron, following Myra's car crash and surgery is a dull-as-ditchwater middleclass Californian in the Chinese Food business.   Time, of course, has moved on and we find ourselves in 1973 at the height of the Watergate scandal.   Myron, meanwhile, finds himself (with a stroke of Swiftian brio) stuck on the set of the MGM movie Siren of Babylon in the summer of 1948.   Here, it is always the summer of 1948.  When the movie finishes shooting, they simply start shooting again.  Out-of-towners like Myron, who have somehow time-slipped here, stay at the Thalberg Hotel, largely unnoticed by the locals.   When they try and speak of their situation, it comes out as meaningless gibberish.

In these circumstances Myra, deeply and firmly supressed by Myron, starts to re-emerge.  Being herself a made-up character she registers better with the locals.   Among the out-of-towners at the Thalberg is Maude, a gay hairdressers with a sideline in drag, who helps Myra regain her looks.   Myra makes it her mission to save MGM, to make transgender eunuchs ubiquitous and thus prevent overpopulation and the various geopolitical crises which she knows will make the western world the ghastly place it is in 1973.

Chaos and further slippages ensue.   It is all great fun but cannot  quite equal the gobsmacking transgression that was Breckinridge. 

Myra Breckinridge - Gore Vidal

 Myra, the young and extremely nubile widow of the late Myron Breckinridge, pitches up in Hollywood, a girl with a plan.  Her plan is to claim her widow's mite - a half share in Buck Loner's acting academy.  Uncle Buck was the brother of Myron's equally deceased mother.  Gertrude and Buck inherited a then worthless orange grove from their father.  When his career in cowboy movies began to tail off, Buck decided to build an academy for Hollywood hopefuls.  Gertrude let him do so, without ever relinquishing her entitlement to half of the land.

While Buck does everything in his power to keep hold of his money, Myra starts teaching at the academy.  She is popular with the students and soon singles out a pair of likely stars, the mean and moody Rudy Godowski and the sweet as apple pie singer Mary Ann Pringle.  The trouble is, they are a couple.  Myra, "whom no man will ever possess", is only interested in Mary Ann - which means Rudy must be broken, dispatched, and otherwise got rid of.

In the end Rudy is gifted to Hollywood super agent Letitia Van Allen, who has an unquenchable taste for masochistic sex.  She turns Rudy into a star.  Myra and Letitia between them turn him into a promiscuous homosexual.

Meanwhile Buck Loner's legal team of Flagler and Flagler come up earn their fee.  Not only is there no trace of a marriage between Myra and Myron, but there is no evidence Myron is even dead.  There is a reason for that and, in the novel's most famous scene, Myra shows them.   Buck instantly hands over the cheque.  It looks like everything will turn out hunky dory, until----

Myra Breckinridge is an American classic and a great one, in its way every bit as reflective of its period (late Sixites) as The Great Gatsby was of its.  Vidal was a genius who could have his off-days (this wasn't one) but who was never ever dull.  My edition of Myra comes as a double bill with Myron.  I can't wait.

Thieves Fall Out - Gore Vidal as Cameron Kay

 After the controversy stirred up by The City and the Pillar (reviewed below) Gore Vidal tried his hand at pseudonymous genre fiction - the Edgar Box novels (murder mysteries including Death Likes It Hot, also reviewed below) and the single, hard-boiled noir crime thriller Thieves Fall Out (1953), written as Cameron Kay.

What we have is a blend of American action man abroad and The Maltese Falcon.  The latter is especially noticeable.  The Claude Rains character is Inspector Mohammed Ali of the Cairo police, the Peter Lorre character is Le Mouche, pianist at Le Couteau Rouge, who has fingers in every pie, and the equivalent of Sydney Greenstreet (which Greenstreet could never play) is a wall-eyed collector-cum-smuggler called Said.  I suppose the Ingrid Bergman character is the mysterious German Anna Mueller.  The Maltese Falcon is definitely the necklace of Queen Tiy which Peter Wells, our hero, is hired to smuggle out of Egypt.

Just as The Maltese Falcon gains extra frisson from the background of the war and potential invasion, Vidal exploits the tensions in Egypt under the appalling King Farouk and sets his climax against the Black Saturday uprising of January 1952.

Is Peter Wells Humphrey Bogart?  No, he's more John Garfield - a working class bruiser, former oil wildcatter and wartime soldier.  He is relatively dumb, easily seduced, and happy to operate on the fringes of legality.  He is good fun.

Vidal in the Box books was bright and amusing.  On the evidence of Thieves Fall Out he could have given Mickey Spillane and Donald Westlake a run for their money in noirish thrillers. It goes without saying that he is a marvellous writer, probably the best American novelist of his era, his only real rival being Norman Mailer.  An excellent read, another great from the Hard Case Crime series.

Death Likes It Hot - Gore Vidal as Edgar Box

 Mix Agatha Christie with the bitter wit of Gore Vidal and what do you get?  You get the young Vidal writing as Edgar Box and this, the third of his three genteel mysteries featuring PR man Peter Sargeant II.

Sargent is invited to spend a week at the Long Island mansion of wealthy widow Rose Veering.  It's a select group of guests: Rose's niece Mildred and her artist husband Paul Brexton; Allie Claypoole and her brother Fletcher, and later their nephew; and noted penwoman Mary Western Lung.  Tragedy strikes when poor Mildred, who has suffered mental health problems, drowns whilst swimming.  Is it an accident or perhaps suicide?  The police seem convinced that it's murder.  Then Fletcher Claypoole is most definitely murdered.  The police make a swift arrest but Sargeant, who has form as an amateur sleuth has other ideas.

It's charming, funny, clever and, obviously, beautifully written.  Great fun.

1876 - Gore Vidal

I keep reading Gore Vidal's novels over and over.  I must have read Burr at least three times, and 1876, in most ways its successor, twice.  Both feature Charles Schermerhorn Schuyler, illegitimate son of Aaron Burr and half-brother of the similarly illegitimate President Martin van Buren.  Van Buren and Burr are obviously real but Charlie is fictional, and possibly Vidal's most beguiling creation.  Journalist, author, friend of great men - Charlie is sent to France in the 1830s and only returns to America for the Centennial, together with his devastatingly beautiful daughter, the Princess d'Agrigente.

Scratching for a living and hoping for an ambassadorship (the ambassadorship, back to France) he spends the entire year in New York and Washington.  As a political animal, he is much more interested in the presidential election than the centenary celebrations or even the dying days of President Grant's corrupt administration.  Schulyer's candidate is the Democratic Governor of New York, Samuel Tilden (below, top). Various Republican aspirants come and go until, almost in desperation, the party fields the unknown Rutherford B Hayes (below, bottom).

No doubt Vidal's American readers all know the outcome.  As a non-American I knew of Hayes but had never heard of Tilden before reading 1876 the first time.  In fact Tilden won the election - that is to say, the popular vote - by a considerable majority.  But the electoral college was rigged so that Hayes became the winner, ultimately voted in by Southern Democrats in return for a pledge, which he kept, to pull the troops out of the last unreconstructed Confederate States.

This is the advantage of reading good books twice.  The first time predated the Millennium and I felt sure, at that time, that ballot rigging on such a scale could not happen again.  Then George W Bush contrived to 'beat' Vidal's cousin Al in a state controlled by his brother Jeb.  Thus the lessons of history go unlearned.

Overall, though, re-reading the same books repeatedly at my age is not a good idea.  I should focus on reading the other five novels of the Narratives of Empire, and then perhaps move on to the Breckenridges, Myra and Myron.