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Showing posts with label Difference Engine. Show all posts
Showing posts with label Difference Engine. Show all posts

Tuesday, 9 March 2021

The Never Game - Jeffery Deaver


 

Jeffery Deaver broke through in the UK around the time I took a twenty-year break from contemporary American crime fiction, albeit I did catch his breakthrough book The Bone Collector.  Now I picked up this, from 2019, the first in a trilogy about reward hunter Colter Shaw.  Shaw was brought up a survivalist.  His father Ash was a brilliant academic who suddenly headed for the California wilderness and sealed himself and his family inside a compound.  The adult Colter now uses his wilderness skills to track down missing people, sometimes killers.  He does it for the reward money although sometimes he doesn't bother to collect.  He travels all over the US.  His actual home is in Florida but he has a luxury RV and will go anywhere the trail leads him.

In this case a young woman has gone missing - but not the young woman Shaw is trying to rescue in the teaser (which shows straight off how clever a storyteller Deaver is).  The case leads him into the dark heart of the Silicon Valley and its hardcore gaming community.  Shaw has never used his computer for anything other than work so we learn about gaming with him.  Meanwhile Shaw plays his own complex mental game, the titular Never Game, which was Ash Shaw's method of instilling survival skills into his three children.  Never do this, never do that ... etc.

Also slowly unravelling in the background is the mystery of Ash Shaw's death fifteen years ago and the disappearance soon after of his eldest son Russell - arcs which are clearly going to complete over the trilogy.

I was impressed.  Deaver has an easy style, informal yet always controlled.  His story skills are superb and he has clearly done his research.  This we can tell because he names his sources at the end - citing one of my favourite books, The Difference Engine by William Gibson and Bruce Sterling (reviewed on this blog something like five years ago).  His supporting characters are multi-faceted and therefore able to drive the narrative when necessary and hold our interest at other times.

Tuesday, 19 June 2018

The Difference Engine - William Gibson and Bruce Sterling



What we have here is a collaboration between two founding fathers of cyberpunk, an alternate history in which Babbage's proto-computer has changed the world, notably Britain. The Tories under the Duke of Wellington tried to hold off the Radicals until Wellington was assassinated and the Rads took over. Byron is Prime Minister, his daughter Ada is effectively First Lady, and the House of Lords has become an appointed senate of savants. Steam carriages prowl the streets and the greatest, most popular form of communication is by way of punched cards. Vast bodies of data are stored and minutely analysed. The Victorians of 1855-56 even have their own version of fake news - eye-catching headlines on big screens with no real fact or analysis behind them. Which is pretty damn impressive for a book published in 1991.


It fascinated me. I loved the game of style played by the authors in which we have a series of five more or less standalone 'iterations' and conclude with a 'modus' of pseudo documents. We have a series of protagonists who come and go, some taking up more space than others. We have the Rad prostitute Sybil Gerard, who becomes involved with the speaking tour of ousted 'Texian' president Sam Houston; then there is Edward Mallory, discoverer of the Wisconsin Brontosaurus. He falls in with Laurence Oliphant, a sort of effete James Bond with connections in the very highest circles in Britain, the US and, for some reason, Japan.


These are fascinating characters. The world they inhabit is vividly realised down to the tiniest detail. The warnings to the modern reader are manifold. The problem is, though, I haven't the faintest idea what the book was about. What is its theme? What exactly are our heroes trying to achieve? And what do they actually achieve?


I'm not at all sure these things actually matter. They didn't in any way spoil my enjoyment. I suppose in a way there's a similarity to Murakami's 1Q84. Essentially, this is the world I have created for you; this is what these people do in it; make of that what you will.