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Showing posts with label golden dawn. Show all posts
Showing posts with label golden dawn. Show all posts

Sunday, 11 December 2022

Crowley's Apprentice - Gerald Suster


 Israel Regardie (1907-85) was secretary, pupil and sometimes friend of Aleister Crowley, The Great Beast 666.   Gerald Suster (1951-2001) was pupil, friend and ultimately memoirist of Israel Regardie.  Regardie broke with Crowley before World War II and after the war qualified as a doctor of psychology and licenced chiropractor, settling in the USA.  Suster visited him there as a very young man and stayed with him in California and Arizona on many occasions.

This memoir therefore, is one notorious occultist (Suster got money out of News International when they defamed him in one of their scandal rags) writing about another.  Regardie had become notorious during the height of Crowley's time as self-described Wickedest Man in the World, and had been banned from entering England even though, like Suster, he was born in London.

In occult circles Regardie was praised and despised in equal measure because he was the one who wrote it all down and made the secret rituals of the Golden Dawn available and comprehensible to outsiders.  It was his writing, of course, that initially attracted Suster.

Crowley's Apprentice is interesting in many ways.  For the generalist it offers valuable insights into the rebirth of magic around 1900 and leads to other sources.

Thursday, 8 December 2022

The Great God Pan - Arthur Machen


 Arthur Machen was a Victorian bookman who is remembered today for his weird fiction, most of which (four stories) is collected in this Dover Thrift edition.  Machen was a member of the Golden Dawn so one might expect high magic to figure in his stories.  In fact his theme is primitive paganism and elemental beings.  The theme is in the title of 'The Great God Pan' but the structure of the piece is unexpected.  A doctor literally opens the mind of the young girl he adopted, sending her mindless but also unleashing a devilish offshoot on a death-dealing spree around London.  'The White People', nearly as famous in its own right as 'Pan' , is a bizarre account of what might be fairies or, more likely, those who live underground like the Tuatha.  'The Shining Pyramid' is definitely about the underground people and 'The Inmost Light' has underpinnings of alchemy whilst echoing the beginning of 'Pan' in the forbidden use of someone's essential being.

The stories are weird, not overtly horrific.  Machen deals in suggestion, unease, and comes at his horrors obliquely which only makes them more disturbing.  I am very impressed/